A bowling alley, a gallery, a studio, a pregnancy and a pop song. Kathryn Elkin tackles, with her usual sense of humour, issues around labour, creation, biography, being an artist and the transforming pregnant body. Queen was conceived and shot during the artist’s pregnancy and first months of parenthood.

The place of performance is a prominent theme in Kathryn Elkin's work, and in this film crosses over with an unmistakably personal milestone: the first child. Between scenes at a bowling hall, the expectancy, and the baby's first months, the director inquires: can a pregnancy be performance?