Everybody In the Place reinterprets the trajectory of acid house in the UK during the 1980s, from a political and cultural standpoint. This movement, which spread in reaction to the conservative politics of Thatcherism, culminated in the “second summer of love”, with wild parties and a sense of collective catharsis — becoming one of the symbols of a generation of struggle. In this film, Deller — one of the most important British artists of our time — analyses the acid house phenomenon, from the initial wave of hysteria and vilification through to the rebirth of the genre in the raves that marked the early 1990s, and the eventual decline of the revolutionary character that had earlier defined it.